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<span style="font-size: 20px; font-weight: bold;
color: rgb(0, 0, 0); font-family: arial;
line-height: 110%;">OPLIN 4cast #382: Serious
reading</span><br>
<!-- Make sure you modify the date of the 4Cast in this section -->
<span style="font-size: 11px; font-weight: normal;
color: rgb(102, 102, 102); font-style: italic;
font-family: arial;">April 23rd, 2014</span></p>
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<p style="text-align: justify;font-size: 16px;
font-family: arial; line-height: 110%;"><img
src="cid:part4.00080709.09050303@oplin.org"
alt="reading glasses" align="left" height="56"
width="105">We are inundated every day by words
on the web. We are constantly reading emails,
tweets, news headlines, and, of course, the OPLIN
<em>4cast</em> every Wednesday morning (we hope).
But for the most part, what we read nowadays is
pretty short. Some people are concerned that all
these short chunks of text are affecting the way
we read, how we judge the importance of an item,
and even the availability of detailed information.
As a result, there have been some efforts to
effectively use the web for long, in-depth writing
that is more like the professional magazine
journalism of the past. But not everyone has
embraced this movement.
</p>
<div> </div>
<ul style="text-align: left;">
<li style="text-align: justify; font-size: 16px;
font-family: arial; line-height: 110%;"><a
href="http://www.washingtonpost.com/local/serious-reading-takes-a-hit-from-online-scanning-and-skimming-researchers-say/2014/04/06/088028d2-b5d2-11e3-b899-20667de76985_story.html">Serious
reading takes a hit from online scanning and
skimming, researchers say</a> (Washington
Post/Michael S. Rosenwald) "The Internet is
different. With so much information, hyperlinked
text, videos alongside words and interactivity
everywhere, our brains form shortcuts to deal
with it all - scanning, searching for key words,
scrolling up and down quickly. This is nonlinear
reading, and it has been documented in academic
studies. Some researchers believe that for many
people, this style of reading is beginning to
invade when dealing with other mediums as well."</li>
<li style="text-align: justify; font-size: 16px;
font-family: arial; line-height: 110%;"><a
href="http://www.nytimes.com/2013/11/10/business/a-founder-of-twitter-goes-long.html">A
founder of Twitter goes long</a> (New York
Times/Matt Richtel) "He's [Evan Williams]
carrying out ideas he toyed with in his first
big commercial venture, which was called,
simply, Blogger. He sold that to Google a decade
ago, begetting his first millions. Now, he is
joining the mini-movement to celebrate long-form
expression at sites and apps like Longform,
Longreads and the Verge. The oddity is that Mr.
Williams helped found Twitter, which is to long
form what snacks are to dinner: sometimes a
prelude, often an appetite killer."</li>
<li style="text-align: justify; font-size: 16px;
font-family: arial; line-height: 110%;"><a
href="http://www.nytimes.com/2014/01/25/opinion/when-long-form-is-bad-form.html">When
'long-form' is bad form</a> (New York
Times/Jonathan Mahler) "What's behind this
revival? Nostalgia, partly, for what only
recently had seemed to be a dying art. And
technology: High-resolution screens make it much
more pleasant to read a long piece online than
it was even a few years ago. Also the simple and
honorable intention to preserve a particular
kind of story, one that's much different from
even a long newspaper feature, with scenes and
characters and a narrative arc. [...] The
problem is that long-form stories are too often
celebrated simply because they exist. And are
long."</li>
<li style="text-align: justify; font-size: 16px;
font-family: arial; line-height: 110%;"><a
href="http://blogs.reuters.com/felix-salmon/2014/03/27/against-beautiful-journalism/">Against
beautiful journalism</a> (Reuters/Felix
Salmon) "[...] people intuitively understand
that the way that their story looks implies a
certain level of quality and importance. That
can be a good thing: it encourages contributors
to up their game. But equally, it can simply
result in people giving up, on the grounds that
they don't particularly want such a
grand-feeling venue for their relatively small
idea. It's time for websites to put a lot more
effort into de-emphasizing less important
stories, reserving the grand presentation
formats only for the pieces which deserve it."</li>
</ul>
<div style="text-align: left;"> </div>
<p style="text-align: left; font-size: 20px;
font-family: arial; line-height: 110%;"><small><strong><em>Opposite
fact:</em></strong></small><br>
</p>
<div style="text-align: justify; font-size: 16px;
font-family: arial; line-height: 110%;">Rather
than use some long-form web venue for his
4,000-word essay on immigration, Teju Cole
published the entire thing in a series of <a
href="https://twitter.com/tejucole/timelines/444262126954110977">tweets</a>.
</div>
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<div style="text-align: justify;">The <strong><em>OPLIN
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is a weekly compilation of
recent headlines, topics, and trends that could
impact public
libraries. You can subscribe to it in a variety
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