[OPLIN 4cast] OPLIN 4cast #411: Better emoji
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Wed Nov 12 10:30:11 EST 2014
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OPLIN 4Cast
OPLIN 4cast #411: Better emoji
November 12th, 2014
emojiA few weeks ago, we considered doing a /4cast/ about emoji. Emoji
are not really new
<http://readwrite.com/2012/06/07/emoji-and-the-iphone-fueled-rise-of-talking-in-tiny-pictures>,
however - we're just hearing more about them lately - and frankly, some
of you guys out there probably know more about them than we do. But last
week, the Unicode Consortium, which is working on guidelines
<http://www.unicode.org/reports/tr51/> for making emoji characters that
can be used across a wide variety of platforms, released a new draft of
those guidelines that included a section on diversity. Now emoji are
becoming a richer "language" that might be used for some serious
communication.
* Unicode wants to fix emoji's ethnicity problem
<http://readwrite.com/2014/11/05/unicode-emoji-ethnicity-problem>
(ReadWrite | Lauren Orsini) "The Unicode Consortium notes that emoji
were originally intended to have a 'a more generic (inhuman)
appearance, such as a yellow/orange color or a silhouette,' but
Japanese carriers soon set a light skinned precedent, intending the
emoji to look like the Japanese people who first used them. Since
emoji use has long since spread from Japan to the rest of the world,
emoji diversity is overdue."
* Proposed changes to emoji standard would allow for more diversity,
increased selection of skin tones
<http://techcrunch.com/2014/11/04/proposed-changes-to-emoji-standard-would-allow-for-more-diversity-increased-selection-of-skin-tones/>
(TechCrunch | Sarah Perez) "They weren't encoded into the Unicode
Standard until 2010, but having originally grown out of a smaller
geographic region, the 'generic' images being used didn't accurately
reflect the diversity found elsewhere in the world. Over time,
things have progressed ... slowly. Apple updated its emoji
collection in 2012 <http://techcrunch.com/2012/06/14/emoji-ios-6/>
to include a lesbian and homosexual couple, for example. But even
then, people wanted to know, where were the black emoji?"
* Unicode proposes a way to let an emoji black man and white woman
hold hands
<http://arstechnica.com/business/2014/11/unicode-finally-discovers-how-to-let-emoji-black-man-and-white-woman-hold-hands/>
(Ars Technica | Casey Johnston) "To introduce diversity, the
developers propose introducing five color swatch emojis of skin
tones that, when combined with an existing person emoji, would
render as a single 'emoji presentation' with the skin color in
question. So for instance, a font could take a boy face plus brown
swatch and render a boy with a brown skin tone and darker hair."
* Proposed draft Unicode technical report #51: Diversity
<http://www.unicode.org/reports/tr51/#Diversity> (Unicode Consortium
| Mark Davis and Peter Edberg, eds.) "There are several emoji for
multi-person groups, such as COUPLE WITH HEART. The emoji modifiers
affect all the people in such characters. However, real multi-person
groupings include many in which various members have different skin
tones. For representing such groupings, users can employ techniques
already found in current emoji practice, in which a sequence of
emoji is intended to be read together as a unit, with each emoji in
the sequence contributing some piece of information about the unit
as a whole."
*/Articles from Ohio Web Library <http://ohioweblibrary.org>:/*
* A return to hieroglyphics.
<http://web.b.ebscohost.com.proxy.oplin.org/ehost/detail/detail?sid=7dc66c07-6424-4d48-8f9b-2e7a8a3ac026%40sessionmgr115&vid=0&hid=115&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=buh&AN=96966521>
(/Fortune/, 7/21/2014, p148 | Erin Griffith)
* Why 140 characters, when one will do? Tracing the emoji evolution.
<http://web.b.ebscohost.com.proxy.oplin.org/pov/detail/detail?sid=8bbaf050-85f1-44f5-aa21-67a2dc2cb042%40sessionmgr112&vid=0&hid=115&bdata=JnNpdGU9cG92LWxpdmU%3d#db=pwh&AN=6XN2014063015>
(NPR's /All Things Considered/, 6/30/2014 | transcript)
* Poker face.
<http://web.b.ebscohost.com.proxy.oplin.org/lrc/detail/detail?sid=4cd1aa9b-b61b-4e6a-ba5b-e4706358d09c%40sessionmgr115&vid=0&hid=115&bdata=JnNpdGU9bHJjLWxpdmU%3d#db=lfh&AN=88018394>
(/New Yorker/, 5/20/2013, p92-99 | Jonathan Nolan)
------------------------------------------------------------------------
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